Grateful Dead 2/9/73 Maples Pavilion, Stanford University, Palo Alto CA [DSH/GSH notes: No .md5s with download- we generated our own after listening- sounded OK; unsure of source, may be MR>RR>DAT>CD via D.Finney; tree CD>SHN; brief static in China Doll and Eyes. The Casey Jones encore is heavily distorted, probably due to equipment malfunction. The show is characterized by equipment failure, including a several second dropout in Promised Land. There is also a really weird burping noise in LL Rain; [note, if this is Gans' source, it's Master 2 track reel> 7.5 ips quarter-track dolby B reel> 44.1 DAT> Sonic Solutions Work Station> CDR> Circulation, but not sure- DSH]; md5s show here generated by Hamiltons] CD1: 1 The Promised Land 2 Row Jimmy 3 Black Throated Wind 4 Deal 5 Me And My Uncle 6 Stage Chatter 7 Sugaree 8 Looks Like Rain 9 Loose Lucy 10 Beer Barrel Polka 11 Mexicali Blues 12 Brown Eyed Women 13 El Paso 14 Here Comes Sunshine CD2: 1 Playing In The Band 2 Wavy Gravy chatter 3 China Cat Sunflower > 4 I Know You Rider 5 Jack Straw 6 Dead Battery 7 They Love Each Other 8 Truckin' > 9 Eyes Of The World > 10 China Doll CD3: 1 Big River 2 Ramble On Rose 3 Box Of Rain 4 Wave That Flag 5 Sugar Magnolia 6 Uncle John's Band 7 Around And Around 8 Casey Jones (E) deadlists info BAND Grateful Dead DATE 02/09/73 VENUE Roscoe Maples Pavilion, Stanford University CITY Palo Alto STATE CA SET1 [1:27:57] ; The Promised Land [2:55] ; [0:56] ; Row Jimmy [7:17] ; [0:35] ; Black Throated Wind [6:31] ; [0:30] ; Deal [4:29] ; [0:15] ; Me And My Uncle [2:57] ; [1:18] % [0:08] ; Sugaree [7:31] ; [0:08] % [0:09] ; Looks Like Rain [6:#28] % Loose Lucy [6:36] % Beer Barrel Polka [0:40] ; [0:26] ; Mexicali Blues [3:11] ; [0:11] & [1:13] ; Brown Eyed Women [5:07] ; [0:06] % [1:01] ; El Paso [4:18] ; [0:20] % [0:57] ; Here Comes Sunshine [9:38] ; [0:07] % [1:14] ; Playing In The Band [18:#59] ; [0:03] % SET2 [1:36:15] ; [2:07] ; China Cat Sunflower [4:51] > I Know You Rider [5:49] % [0:45] ; Jack Straw [4:43] % [1:25] ; They Love Each Other [4:36] ; [0:07] % [0:09] ; Truckin' [7:#56] > Eyes Of The World [17:09] > China Doll [6:00] ; [0:06] % [0:08] ; Big River [4:54] % Ramble On Rose [6:23] ; [0:06] % Box Of Rain [5:05] ; [0:14] ; Wave That Flag [5:#20] ; [0:09] % [0:20] ; Sugar Magnolia [8:39] ; [0:51] ; Uncle John's Band [7:17] ; [0:04] % [0:33] ; Around And Around [4:46] ; [0:27] % ENCORE Casey Jones [7:21] ; [0:04] % COMMENTS The sound setup at this show was the first version of the Wall of Sound. Sound mixing problems at the board during Promised Land. According to reports from an eyewitness, this was the result of half the speakers frying. Very brief splice during Looks Like Rain. Complete Loose Lucy timing supercedes previous listing showing it cut at 4:59. Splice in Playing In The Band at 8:38. Hard to tell how much is missing although it can't be more than a few minutes and could be only a few seconds. Splice in Truckin' at 6:23. Could be a minute or two missing here. The first Eyes has quite a bit of exploratory jamming without dropping to that Dm riff (or whatever you want to call it), which is present to some degree in all other known '73 versions of the song. Jerry plays the chord on the final notes of the song before changing to China Doll. By February 15, the change had been worked out. The cut in Wave That Flag at 1:25 is missing a full chorus a after the second verse. Before Sugar Magnolia, Bob says, " This one's our new single, broke big as hell in Pittsburgh...that's the truth, too." During Casey Jones, a blown amplifier is audible in the mix. {Playing In The Band [3:05] > Jam [13:#29] > Playing In The Band [2:25]} The show has the first performances of Loose Lucy, Here Comes Sunshine, They Love Each Other, Eyes Of The World, China Doll and Wave That Flag. Tape flips following Looks Like Rain, Here Comes Sunshine, They Love Each Other, and Ramble On Rose. The following song begins, cuts and is restarted on the next side. This is a solid and energetic show, with each song getting as full a performance as possible. A slew of new songs performed as though they had been performed for years, particularly songs that would grow into staples of sets. RECORDING 225 SBD: The complete show CONTRIBUTORS buller@math.ukans.edu, paleo550@philly.infi.net, kevin_weil@hp.com